Saturday, September 12, 2009

Does Spotify Have What it Takes to Challenge the iTunes Juggernaut?

[Boring Editorial Update: Changed the title of this post because it sounded too similar to the previous post]

For months I've been reading lots of buzz about Spotify, the music software that allows users unlimited streaming from a catalog of over six million tracks and is being dubbed around the Blogosphere as potentially the first real threat to Apple's iTunes empire. As of now, Spotify is only legally available for free (with advertisements) in the UK, Finland, Norway, Sweden, and Spain, with users in most of Western Europe allowed premium (ad-free) access for a monthly fee. You'll notice the US is conspicuously absent from the list of officially-sanctioned countries, as the RIAA and Spotify are still in negotiations for US licensing deals.

Determined to try the service for myself, I utilized a workaround for creating my own account that took advantage of the 14 day "travel access" window allowed to all free account users (premium subscribers have no cap). Basically I spoofed a UK IP address and used it to activate my account. Unfortunately, as of yesterday, free accounts from anywhere require an invite code, so if any of you US-based people want to try the service out yourself, you're shit out of luck for now. Never fear, I've been using Spotify for nearly a month and I can tell you exactly how much of a "game changer" it really is (or isn't).

First off, the catalog of songs is quite impressive and can easily lead a music nerd like me to spend two hours following the breadcrumbs to more and more new music. For example, I am currently working on a playlist of nothing but awesome 90's Hip Hop songs, but the music library on my computer doesn't have as much 90's music as I would like, so instead of spending weeks hunting down songs via the iTunes, Amazon, and torrent trackers I just fire up Spotify and search for almost anything I want. This inevitably results in me veering off course as one artist conjures up nostalgia for another. Most of the time I find whatever pops into my head, it's not perfect, but no worse than the alternatives and almost as good as OiNK (RIP -ed.) used to be.

Why is it so easy to wander off into tangential directions? Because Spotify's user interface is laughably easy to learn. This is a major component of it's potential to lure users away from the iTunes ecosystem. Everything is powered by the search box and the left navigation pane, without the clutter of many images and buttons vying for your attention (look at the iTunes Store home page to see what chaos looks like). Spotify always displays the last five items searched in the left pane, so if you do stroll away from the path it's easy to find your way back. Another helpful feature are the Similar Artist links that appear at the top of most artist pages. Clicking on these links can open your ears to new music you previously had not heard or even didn't know existed.

Listening to songs is nice, but if Spotify is going to be the 'iTunes killer' some have made it out to be, then it needs to give users easy access to repeatedly listen to the music they like. This is where the Spotify shows the bulk of it's promise, but with one big caveat--mobility. See, right now I can only enjoy this music on my computer. Downloading these tracks to my hard drive is out of the question, unless I want to purchase them from (the only store integrated with Spotify), which is a nice store but definitely not as robust of a catalog as other competitors.

In fact, most of the songs in my playlists cannot be purchased through Spotify, which means I have to find them elsewhere (torrents, iTunes, etc.) if I want to enjoy them on my, that is. As of last week mobile apps for iPhone and Google's Android platform are available, but only for users in officially-sanctioned countries (i.e. not the US) and only for premium subscribers. This means I haven't been able to take the iPhone app for a spin, but the video demo below illustrates how immensely convenient it makes it to enjoy your music wherever you are.

That offline access perhaps the most significant feature Spotify has that other streaming apps (imeem,, Pandora, etc.) have yet to figure out and it's the one thing that should make Apple nervous. Now, as long as users sync everything while they have access to a wireless connection (much like syncing music with iTunes before you leave the house), their music will always be up to date. It's a type of convenience that hasn't been seen before and it has the potential to change how we consume music, but will it make any money?

That last question is tough to answer. I do know that most users will always choose to tolerate some ads in exchange for free content, but ad-supported business models need a certain percentage of users to pony up for premium content in order to stay solvent. So far the added value of paying for a service that is mostly usable for free hasn't swayed enough users from the competition to part with their hard earned cash, but none of those services offer the convenience, sound quality, and speed (did I mention, Spotify is P2P-based, and thus has near instant buffering?) that Spotify does. For this reason, I think it would be a smart business decision for mobile access to always be a feature for premium users. Or perhaps they could strike a compromise and offer a "Lite" version of the app for free users that doesn't allow offline listening?

Whatever the case, Spotify's long-term outlook depends on how much revenue they can generate for their content partners. In fact, there's already talk about tweaking the business model before the curtain rolls up on US availability. The bulk of this revenue will have to come from the number of users that can be converted to paid subscribers, but people aint gonna pay unless it truly makes the service noticeably better. Perhaps if they could envision a world in which virtually any song they want can be accessed from their phone and their own library always stays sync'd no matter where they are, then parting with the cash would seem like a smart choice. Spotify might not be there today, but it's the first service I've seen with a puncher's chance of making that vision a reality.
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Wednesday, July 8, 2009

Is This the Best Michael Jackson Tribute Ever? (Yes. Yes it is)

I envision a future, after SkyNet takes over and the humans are locked in perpetual war with robots, where the most popular form of entertainment will involve pitting man vs. machine in epic video DJ battles. And while the robots will probably be sophisticated enough to beat mere mortals each and every time, there's no god-damned way they would ever beat Peanut Butter Wolf, because that man is a fucking Jedi master of the Serato game. While we may be a long way from seeing a worthy robot challenger for PB Wolf, watching his tribute to the King of Pop is not a bad consolation. (Keep reading to see parts two and three after the jump.)

I've had the pleasure of seeing PB Wolf do live video mixes on three other occasions and each time it was quite impressive, but I always felt like after 40 minutes or so the mixes got a little long in the tooth (not bad enough to be an issue, but still). Usually PB mixes together many different genres of music and a fair share of movie dialog, which can sometimes have this ADD affect on the flow of the mix. Usually not a problem since the focus is visual anyway, but what I love about these tribute mixes is that they are centered around one theme. And since that theme has a plethora of wonderful music to choose from, it works better than anything else like this he's done.

I also think it does a fantastic job of displaying the immense influence on Hip Hop Michael Jackson had. All the songs are bonafide dance floor jams, and it's only logical they would be sampled over and over, but it's nice to hear how it all sounds as one continuous flow of music. And since radio stations have been playing nothing but MJ the last two weeks, it's a nice change of pace to hear something a little more original while still managing to honor a fallen legend. I hope you all enjoy this as much as I did.
[Thanks to Damian for showing this to me]

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Thursday, July 2, 2009

Song of the Day - Mos Def (feat. Slick Rick): "Auditorium"

I'll be honest. I thought Mos Def was starting to lose his magic back in 2004 when he released the lackluster Black on Both Sides follow-up The New Danger. Then two years later True Magic essentially confirmed my suspicion. Of course, now that he is free from his deal with Geffen Records (which would never have happened without the demise of Rawkus) he returns from the dead with The Ecstatic (subtle enough?), his most inspired music in ten years.

While almost every song is solid, "Auditorium" is without a doubt the standout track. Using an absolutely devastating beat from Madlib's Beat Konducta in India as his foundation, Mos lays down some of his best rhymes in a decade, boasting with urgency "My presence speak volumes before I say a word/I'm everywhere/Penthouse, pavement, and curb" before eventually giving way to Slick Rick. Mr. Rick proceeds to do what no other MC has ever done better, tell a story. In this case, about an Iraqi soldier who's losing patience with the American occupation. Mixed together it makes for a lethal combination that should make the doubters take notice.

Mos Def (feat. Slick Rick) - "Auditorium" (from The Ecstatic)

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Wednesday, July 1, 2009

Ambivalence Avenue = Warp FTW

Don't let anyone try to tell you that music labels are dying. It's simply not true. The correct declaration should be that dumb (i.e. large) music labels are dying, but smart ones are thriving. Just because the business model changed doesn't mean it's impossible to succeed. The smart labels, like Merge and Stones Throw, are the ones who keep growing, steadily adding high quality music to their artist rosters. Perhaps the best of the crop is London-based Warp Records.

Already home to legends like Aphex Twin, Autechre, Boards of Canada, and LFO, Warp has more recently given us Grizzly Bear, Gang Gang Dance, Flying Lotus, and Jamie Lidell. One of the lesser known of the bunch is England's Bibio (aka Stephen Wilkinson), whose forth album is one of the best I've heard this year.

To say Ambivalence Avenue is 'atmospheric' (it is) would be an inadequate description on so many levels. Yes, the music tends to borrow from elements in nature, but those are used merely as a canvas for Bibo to splatter his more complex and detailed colors. Sometimes the result is along the lines of post-modern space Hip Hop, such as the the J. Dilla-esque "Fire Ant", or the plodding hypnosis of "Sugarette". Still, at other time it takes the form of Summertime pop (the title track, "All the Flowers") and Electro-Folk ("The Palm of Your Wave", "Haikuesque").

There's layers and layers of live instruments, samples, sequencers, programming, and studio trickery found in every song, yet none of it ever sounds indulgent. Every little bleep, scratch, strum, beat, and echo has it's purpose and the result is usually more than the sum of its parts. This album demands you immerse yourself inside it's fantasy world in order to respect the intricacy of how it was created. Two minutes into the title track, I was giddy in my eagerness to oblige.

Bibio - "Jealous of Roses" (from Ambivalence Avenue)

Bibio - "Fire Ant" (from Ambivalence Avenue)

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Tuesday, June 30, 2009

Video of the Week - Neil Young & Paul McCartney: "A Day in the Life" (live from Hyde Park)

I'm not really sure this clip needs any setup. It's two musical giants playing one of the most iconic songs ever written. Is there any way the result wouldn't be amazing? Probably not.

I will say that having experienced Paul McCartney headline Coachella two months ago, the dude can certainly still do all his old Beatles songs justice. Throw in the frenetic guitar stylings of Neil Young, and "A Day in the Life" becomes about twice as loud as you've every heard it before. There's also nothing quite like being in a crowd where everyone is singing their hearts out to a song that has touched all of them in some way or another. Pretty damn special. Enjoy.

[Found originally on The Daily Swarm]

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